An Iranian Boy

Documentary photography has always been a popular genre and projecting the inside of rarely visited and exotic places has been one of the most intriguing subjects among all documentary projects since the emergence of photography.

In recent years, conflicts in Middle East have inspired dozens of local and international photographers to focus on this area and a good many photo essays have been conducted to reveal the everyday life of people in the region’s countries.

As a photographer who was born and raised in this part of the world, I was always wondering if these so-called revealing projects could reflect the reality. In case of my country Iran, which is one of the most under shadowed countries, the inner Iran images were, most of the time, portraying people either as fanatic religious individuals or modernised men and women who are doing drugs and dance in underground parties.

Such images were always accompanied by superficial sentences like: “A young man sits in a car next to his mother in Tehran, where the use of headsets and mobile phones is widespread”.(from the photo essay “See Iran Coming Out of the Shadows” by Newsha Tavakolian for Time.com)

In my series of self-portraits, I tried to borrow such sentences and present them with my photos.